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and my ears scorch
with their words.

Today, purchase Arcoxia online, Order Arcoxia online overnight delivery no prescription, Shanta told me
“They gave me powders
to choke my daughter.”
Her hands kept
fluttering to her head
as if to touch
dream hair.

Sometimes
at night
I see my brother’s
ghost and we
still roam and
moan with bloated
bellies and tongues painted purple with
sour berries
and my hungry child-belly
carries Manorama
kicking and clawing inside me, buy no prescription Arcoxia online. Order Arcoxia from mexican pharmacy, Beloved,
it rains outside and termites have grown
wings to search for frail lovers, buy Arcoxia no prescription.
Soon they will
lose them and

tomorrow
I will see whispered wings
squashed to
the ground, Order Arcoxia with No Prescription. Buy cheap Arcoxia, For this post, I was asked to select one of my poems that I “consider feminist or woman-centric” and I dithered for months because I could not come to a conclusion about two issues, Arcoxia price, coupon. Canada, mexico, india, (i) Which facet of my feminism should I display and (ii) Why should I privilege that particular aspect of my feminism. Finally, buy Arcoxia without a prescription, Arcoxia over the counter, after much deliberation, I chose this poem, kjøpe Arcoxia på nett, köpa Arcoxia online, Rx free Arcoxia, "Letter from Ramabai to her Husband", which I first wrote in 2004, order Arcoxia no prescription. Buy Arcoxia without prescription, A much-revised version was published in my first collection, Boki (2008), Arcoxia samples. Order Arcoxia with No Prescription, It is the opening poem in a series of epistolary poems I wrote around the life of Pandita Ramabai (1858-1922). Purchase Arcoxia, I became slightly obsessed with her when I started teaching extracts from her work to third year students of English Literature who study an optional course in Women’s Writing. I started by reading the prescribed portions in Tharu and Lalita’s Women Writing in India (600 BC to the Present) and then went on to read Uma Chakravarti’s magnificent Rewriting History: The Life and Times of Pandita Ramabai and Meera Kosambi’s Returning the American Gaze: Pandita Ramabai’s The Peoples of the United States (1889), fast shipping Arcoxia. Buy Arcoxia online no prescription, When I read about her life, I was both moved and shocked, buying Arcoxia online over the counter. Ordering Arcoxia online, Moved because she was an extraordinary woman who had lived an awe-inspiring life and shocked because I had been totally ignorant about her. No school text book had talked to me about her life, Order Arcoxia with No Prescription. No book on Great Indian Women had included her, where can i find Arcoxia online. Buy Arcoxia from canada, Why was this so. Was it because she relentlessly questioned Hinduism, buy Arcoxia online cod. Arcoxia over the counter, Was it because she chose to destabilise caste laws by showing that a Marathi Chitpavan Brahmin could marry a Bengali Shudra. Order Arcoxia with No Prescription, Was it because she converted to Christianity. Was it because she was criticized by Tilak as a Christian woman who was trying to “infiltrate…Hindu society…under the cloak of female education”, order Arcoxia no prescription. Order Arcoxia online overnight delivery no prescription, Was it because she was a single woman, a widow, where can i find Arcoxia online, Purchase Arcoxia online no prescription, who fought all her struggles alone and unaided.

Since one of my strongest beliefs about feminism is that it allows you to reconfigure history, buying Arcoxia online over the counter, Real brand Arcoxia online, allows you to retrieve what had been given up as lost and destroys (or attempts to destroy) the silence that marginalization imposes upon you, it became important for me to write about her, ordering Arcoxia online. Rx free Arcoxia, As a feminist, I felt I had to utilize my poetry to repossess her, comprar en línea Arcoxia, comprar Arcoxia baratos, Where can i buy cheapest Arcoxia online, reclaim her, save her, as it were, from the muteness within which she had been walled. Even while keeping her life in mind, a life of much adversity and sorrow--the death of her parents, the death of her brother and the death of her husband when she was pregnant--I wanted to move beyond biography, beyond the chronicled facts of her life, Order Arcoxia with No Prescription. I wanted to see her as a woman in a community of other women, a woman who knew what it meant to be solitary, a woman who knew she had to grapple with the patriarchy inherent in religion, in the caste system, in nationalist politics.

As a feminist poet, I feel the need to use poetic forms that can act as a crucible for my politics. Therefore, my predilection for forms like the epistolary and the dramatic monologue. Their pliancy gives me the space to negotiate the tensions between the private and public lives of women. In poems like “Swarn Noora”, “Gulabi Sapera”, “Harriet Hosmer to Louisa Ashburton” and my “woman/sign” series, I recreate the lives of women artists--singers, dancers, sculptors, painters--to emphasize details about creativity, struggle, silence/voice and sexuality. My poems are peopled by women. Real women, who knew how to love, lived their lives by their own truths and were never scared of the unknown. My poetry and my research is my way of conversing with them.

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About: Nitoo Das

Nitoo Das teaches English at Indraprastha College for Women, University of Delhi. She was born in Guwahati, but came to Delhi in 1994 for her higher studies and decided to stay on and learn various survival skills in this ancient city. Her PhD dealt with constructions of the Assamese Identity under the British (1826-1920). Das runs a blog, which she began as an experiment four years ago while working on a research project (with Sarai, CSDS) on poetry as hypertext. Her interests include fractals, caricatures, comic books, horror films, and studies of online communities. Das’ poetry works with voice, soundscape and comic defamiliarisation. Her first collection, Boki, was published by Virtual Artists Collective, Chicago, in September 2008. She can be contacted at river.slant@gmail.com and she blogs

3 comments

  1. Space Bar says:

    Thank you for this post, Nitoo – for the poem and for the note following it.

    I have been wondering recently how to read poems that are apparently not political but when they are the only testaments that survive, how we arrive at the world they reveal. Poems that reclaim the past must surely strategise the reclamation differently and your use of the epistolary/dramatic monologue forms is interesting.

  2. Yamini says:

    Reading the poem was like going back to the classes when we discussed Pandita Ramabai’s life and works and also your notes at the end reminded me of Ambai and her story ‘The Squirrel’ so much. The poem not only moved me but deeply disturbed me. I think we need to be disturbed, to be shocked, and to be shaken out of the comfortable silence that everyone tries to impose on us.

  3. Mircea says:

    This is an absolutely beautiful poem that captures Ramabai in a way none of the scholarly literature about her can. I’m a student of South Asian history in the US that has just finished a thesis about Ramabai, and I wish I had seen this earlier. I would love to read more of your work.

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