Ultra Violet is a place for Indian feminists. It’s a place for sharing stories and views and questions. It’s a place for exploration, opinion and information. It’s a place where we can come together to understand what other feminists around the country–or around the world–are saying. If you want to write for UV, please read this. More about UV here.

We’re Talking About…

June 08, 2009

‘Your Name is Justine’

LAST YEAR, when I read Lotus’ review of The Road of Lost Innocence, just the review was enough to send shivers down my spine. I doubt I have the stomach for the entire book. The Road of Lost Innocence is a survivor’s account, the memoir of Somaly Mam who survived the brutality of the Cambodian sex [...]

February 26, 2009

Evil As She Does

By Amrita Rajan

Pity the female villain.
Male villains can look forward to world domination, tons of moolah and all the power they can handle; females, on the other hand, spend all their time scheming to sabotage various weddings when they’re not forcing their daughters-in-law to mop floors while dressed in rags or nagging their husbands to [...]

September 22, 2008

Deepa Mehta and ‘Bell Bajao’

DEEPA MEHTA’S new film on domestic violence premiered at the Toronto film festival. There were two reasons the trailers caught my eye. Firstly, because the abusive man is played by Vansh Bharadwaj who I’ve seen in Neelam Mansingh’s terrific play, The Suit, which played here in Bangalore twice in the last year. I loved his [...]

August 12, 2008

Feminism ‘Unlimited’

I VOLUNTEERED TO HELP at the Jaipur Film Festival and one of the films I liked most was UnLimited Girls by Paromita Vohra, which is being touted as India’s first feminist film. UnLimited Girls humorously explores engagements with feminism in contemporary India and is a must-see for those participating in this blog. Whoever said [...]

October 17, 2007

‘Look Ma, No Stains’: Laaga Chunari Mein Daag

DIRECTOR PRADEEP Sarkar seems to be suffering a hangover from his earlier movie Parineeta, which was based in pre-Independence times. What else can explain his deplorably regressive ideas and sensibilities in Laaga Chunari Mein Daag? For while the film vociferously proclaims its understanding of the “quintessential modern Indian woman”, its storyline falls back on simplistic [...]