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	<title>ULTRA VIOLET &#187; film</title>
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	<link>http://ultraviolet.in</link>
	<description>A SITE FOR INDIAN FEMINISTS</description>
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		<title>A Closer Look: Q2P by Paromita Vohra</title>
		<link>http://ultraviolet.in/2010/09/13/a-closer-look-q2p-by-paromita-vohra/</link>
		<comments>http://ultraviolet.in/2010/09/13/a-closer-look-q2p-by-paromita-vohra/#comments</comments>
		<pubDate>Mon, 13 Sep 2010 07:40:11 +0000</pubDate>
		<dc:creator>Kamayani Sharma</dc:creator>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Paromita Vohra]]></category>
		<category><![CDATA[public toilets]]></category>
		<category><![CDATA[Q2P]]></category>
		<category><![CDATA[sanitation]]></category>

		<guid isPermaLink="false">http://ultraviolet.in/?p=1393</guid>
		<description><![CDATA[“TO PEE OR NOT TO PEE, that is the question.” Hamlet would have found this a more pressing concern if he was a woman living in 21st century India. This is what Paromita Vohra’s incisive look at the national state of public lavatories in Q2P brings home. The film charts a map through the toilets [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>&#8216;Your Name is Justine&#8217;</title>
		<link>http://ultraviolet.in/2009/06/08/your-name-is-justine/</link>
		<comments>http://ultraviolet.in/2009/06/08/your-name-is-justine/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 12:20:32 +0000</pubDate>
		<dc:creator>Aparna Singh</dc:creator>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[prostitution in India]]></category>
		<category><![CDATA[trafficking of women]]></category>
		<category><![CDATA[your name is justine]]></category>

		<guid isPermaLink="false">http://youngfeminists.wordpress.com/?p=705</guid>
		<description><![CDATA[LAST YEAR, when I read Lotus&#8217; review of The Road of Lost Innocence, just the review was enough to send shivers down my spine. I doubt I have the stomach for the entire book. The Road of Lost Innocence is a survivor&#8217;s account, the memoir of Somaly Mam who survived the brutality of the Cambodian sex [...]]]></description>
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		<slash:comments>18</slash:comments>
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		<title>Evil As She Does</title>
		<link>http://ultraviolet.in/2009/02/26/evil-as-she-does/</link>
		<comments>http://ultraviolet.in/2009/02/26/evil-as-she-does/#comments</comments>
		<pubDate>Wed, 25 Feb 2009 19:03:35 +0000</pubDate>
		<dc:creator>Amrita Rajan</dc:creator>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[female villains]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[glenn close]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://youngfeminists.wordpress.com/?p=575</guid>
		<description><![CDATA[Pity the female villain. Male villains can look forward to world domination, tons of moolah and all the power they can handle; females, on the other hand, spend all their time scheming to sabotage various weddings when they’re not forcing their daughters-in-law to mop floors while dressed in rags or nagging their husbands to death. [...]]]></description>
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		<slash:comments>7</slash:comments>
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		<title>Deepa Mehta and &#8216;Bell Bajao&#8217;</title>
		<link>http://ultraviolet.in/2008/09/22/deepa-mehta-and-bell-bajao/</link>
		<comments>http://ultraviolet.in/2008/09/22/deepa-mehta-and-bell-bajao/#comments</comments>
		<pubDate>Sun, 21 Sep 2008 19:00:29 +0000</pubDate>
		<dc:creator>Anindita Sengupta</dc:creator>
				<category><![CDATA[Art & Culture]]></category>
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		<category><![CDATA[bell bajao]]></category>
		<category><![CDATA[breakthrough]]></category>
		<category><![CDATA[commercials]]></category>
		<category><![CDATA[deepa mehta]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://youngfeminists.wordpress.com/?p=253</guid>
		<description><![CDATA[DEEPA MEHTA&#8217;S new film on domestic violence premiered at the Toronto film festival. There were two reasons the trailers caught my eye. Firstly, because the abusive man is played by Vansh Bharadwaj who I&#8217;ve seen in Neelam Mansingh&#8217;s terrific play, The Suit, which played here in Bangalore twice in the last year. I loved his [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Feminism &#8216;Unlimited&#8217;</title>
		<link>http://ultraviolet.in/2008/08/12/feminism-unlimited/</link>
		<comments>http://ultraviolet.in/2008/08/12/feminism-unlimited/#comments</comments>
		<pubDate>Tue, 12 Aug 2008 17:27:13 +0000</pubDate>
		<dc:creator>Becky Band</dc:creator>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[Relationships & Marriage]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[feminist films]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Paromita Vohra]]></category>
		<category><![CDATA[Unlimited Girls]]></category>
		<category><![CDATA[women's movement]]></category>

		<guid isPermaLink="false">http://youngfeminists.wordpress.com/?p=165</guid>
		<description><![CDATA[I VOLUNTEERED TO HELP at the Jaipur Film Festival and one of the films I liked most was UnLimited Girls by Paromita Vohra, which is being touted as India&#8217;s first feminist film. UnLimited Girls humorously explores engagements with feminism in contemporary India and is a must-see for those participating in this blog. Whoever said feminists [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>&#8216;Look Ma, No Stains&#8217;: Laaga Chunari Mein Daag</title>
		<link>http://ultraviolet.in/2007/10/17/look-ma-no-stains-laaga-chunari-mein-daag/</link>
		<comments>http://ultraviolet.in/2007/10/17/look-ma-no-stains-laaga-chunari-mein-daag/#comments</comments>
		<pubDate>Wed, 17 Oct 2007 07:44:08 +0000</pubDate>
		<dc:creator>Anindita Sengupta</dc:creator>
				<category><![CDATA[bollywood]]></category>
		<category><![CDATA[film]]></category>
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		<category><![CDATA[laaga chunari mein daag]]></category>
		<category><![CDATA[Prostitution]]></category>

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		<description><![CDATA[DIRECTOR PRADEEP Sarkar seems to be suffering a hangover from his earlier movie Parineeta, which was based in pre-Independence times. What else can explain his deplorably regressive ideas and sensibilities in Laaga Chunari Mein Daag? For while the film vociferously proclaims its understanding of the &#8220;quintessential modern Indian woman&#8221;, its storyline falls back on simplistic [...]]]></description>
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		<slash:comments>20</slash:comments>
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