By Anindita Sengupta

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DIRECTOR PRADEEP Sarkar seems to be suffering a hangover from his earlier movie Parineeta, which was based in pre-Independence times. What else can explain his deplorably regressive ideas and sensibilities in Laaga Chunari Mein Daag? For while the film vociferously proclaims its understanding of the “quintessential modern Indian woman”, its storyline falls back on simplistic [...]