Indian Values, Raising Children

Apu

THE DVD OF LOVE, Sex aur Dhokha has been lying around at home for some time, but it was only over this weekend that I got around to watching it. Directed by Dibakar Banerjee (of Khosla ka Ghosla fame), LSD is actually three stories in one, with peripheral links to each other.

The first one is a mushy love story, the second an MMS sex scandal and the third, about the media’s voracious appetite for ‘stings’. It is the second and third stories that really hold your attention; the first one is slow to heat up and I almost forwarded a little of the first 10-15 minutes. Yet, my mind keeps going back to it. (This post isn’t a movie review though.)

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Wishes For A Woman

ACCORDING TO THE calendar Parsis follow, today is my birthday. It is an event only family and very close friends know about, the more popular occasion being my date of birth next weekend. Of the seven people who wished me a Happy Birthday today, four followed it up with blessings for a good sasroo, i.e. marital home/in-laws’ home. All were women above 50, all educated, all married themselves and surrounded by several singletons of their age who appear fairly happy and not about to kill themselves from the ignominy of not being part of a pair. (Parsis have the lowest rate of marriage in India, with significantly higher levels of social acceptance for those unhitched than most other Indian communities.)

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Markers of marriage

Meena Kandasamy

RECENTLY, I PARTICIPATED in the launch function of a documentary film Pottu about the hardships and social humiliation faced by widows and deserted women in Tamil Nadu. Produced by the Kalangarai Trust which works among the widows in the southern district of Nagappattinam (particularly in Vedaranyam, Sirkaali and Poompuhaar), the 50-minute documentary attempts to describe the torture that widows are forced to undergo in the name of tradition. The documentary started off with a young girl’s story: the gaudy ceremony surrounding puberty, her early marriage (to prevent the chance of the family name getting “spoiled” if she were to be left “free”), the dowry that her parents are forced to pay, the hard work that she is forced to do in her husband’s home, his alcoholism and domestic violence, his death and finally, her enforced widowhood. Although Pottu seemed to make of every cinematic cliché, some issues highlighted by the documentary deserve to be taken up for debate.

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