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	<title>Ultra Violet &#187; Society</title>
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	<link>http://ultraviolet.in</link>
	<description>a site for Indian feminists</description>
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		<title>Indian Values, Raising Children</title>
		<link>http://ultraviolet.in/2010/06/22/indian-values-raising-children/</link>
		<comments>http://ultraviolet.in/2010/06/22/indian-values-raising-children/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 05:59:55 +0000</pubDate>
		<dc:creator>Aparna Singh</dc:creator>
				<category><![CDATA[Caste]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Marriage]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Indian society and women]]></category>
		<category><![CDATA[Society]]></category>

		<guid isPermaLink="false">http://ultraviolet.in/?p=1342</guid>
		<description><![CDATA[The DVD of Love, Sex aur Dhokha has been lying around at home for some time, but it was only over this weekend that I got around to watching it. Directed by Dibakar Banerjee (of Khosla ka Ghosla fame), LSD is actually three stories in one, with peripheral links to each other.
The first one is a mushy love [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://youngfeminists.files.wordpress.com/2008/07/apu.jpg" alt="Apu" hspace="2" width="60" height="82" align="absbottom" /><strong>The DVD of Love, Sex aur Dhokha</strong> has been lying around at home for some time, but it was only over this weekend that I got around to watching it. Directed by Dibakar Banerjee (of Khosla ka Ghosla fame), LSD is actually three stories in one, with peripheral links to each other.</p>
<p>The first one is a mushy love story, the second an MMS sex scandal and the third, about the media&#8217;s voracious appetite for &#8217;stings&#8217;. It is the second and third stories that really hold your attention; the first one is slow to heat up and I almost forwarded a little of the first 10-15 minutes. Yet, my mind keeps going back to it. (This post isn&#8217;t a movie review though.)</p>
<p><span id="more-1342"></span></p>
<p>*Spoilers here, beware!*</p>
<p>When the love story of Rahul, aspiring director at a film institute and Shruti, the &#8220;Simran&#8221; of his film begins, it is hard not to think of this love story as more a paean to DDLJ than anything else. Cheesy like the film they are making, it is hard to imagine that Rahul and Shruti really love anything beyond the feeling of being in love.</p>
<p>And yet, given the conservative family Shruti comes from, there is no possibility of their dating or getting to know each other. Love must lead to an elopement and marriage almost immediately. Rahul&#8217;s blithe confidence that after marriage, the family will &#8220;come around&#8221;, is almost revolting to watch in its stupidity. The end, when it comes, is gruesome, even though nothing of this honour killing is really shown.</p>
<p>Just yesterday, the Supreme Court has issued a notice asking the Central Government (and a few states), why they are <a href="http://in.news.yahoo.com/20/20100621/1416/tnl-sc-issues-notice-to-centre-states-on.html" target="_blank">doing nothing to combat the recent spate of honour killings.</a></p>
<p>The thing about us Indians is that we pride ourselves on our <a href="http://neoindian.org/2010/06/16/a-quick-overview-of-indian-values/" target="_blank">superior &#8216;Indian values&#8217;</a>; we lose no chance to deride Western societies for their (alleged) lack of affection, &#8216;family values&#8217; and morality. Nowhere is this more evident than in our smug attitude to the upbringing of children. It is so common to hear people talking as though Indians are the only people that know how to bring up children well &#8211; everywhere else, children are neglected, spoilt, abused and grow up to have no love for their parents.</p>
<p>And yet, this is the country where a good chunk of people are all too ready to sacrifice their children in the name of honour, society, family name and blah blah. Honour killing is one extreme end of the spectrum, but the <a href="http://itsacharade.blogspot.com/2010/05/parents-and-letting-go.html" target="_blank">unwillingness to accept children&#8217;s choices</a> and their happiness as a primary consideration exists in many other forms, ranging from emotional blackmail to being &#8216;cast out of the family&#8217;.</p>
<p>Gajar-ka-halwa aside, we need to stop kidding ourselves. I suppose we have good and bad parents like everywhere else, but no magic beans that qualify us as the best parents on earth.</p>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Wishes For A Woman</title>
		<link>http://ultraviolet.in/2009/07/17/wishes-for-a-woman/</link>
		<comments>http://ultraviolet.in/2009/07/17/wishes-for-a-woman/#comments</comments>
		<pubDate>Fri, 17 Jul 2009 10:09:47 +0000</pubDate>
		<dc:creator>Dilnavaz Bamboat</dc:creator>
				<category><![CDATA[Desipundit]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[Institutions]]></category>
		<category><![CDATA[Marriage]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[Women's Lives]]></category>
		<category><![CDATA[blessings]]></category>
		<category><![CDATA[freedom of choice]]></category>
		<category><![CDATA[Indian society]]></category>
		<category><![CDATA[Parsi]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://ultraviolet.in/?p=932</guid>
		<description><![CDATA[ACCORDING TO THE calendar Parsis follow, today is my birthday. It is an event only family and very close friends know about, the more popular occasion being my date of birth next weekend. Of the seven people who wished me a Happy Birthday today, four followed it up with blessings for a good sasroo, i.e. [...]]]></description>
			<content:encoded><![CDATA[<p><img style="margin-left: 2px; margin-right: 2px;" src="http://i219.photobucket.com/albums/cc148/ultravioletfeminists/Dilnavaz_profile4-1.jpg" alt="" hspace="2" width="60" height="82" align="absbottom" /><strong>ACCORDING TO THE</strong> calendar Parsis follow, today is my birthday. It is an event only family and very close friends know about, the more popular occasion being my date of birth next weekend. Of the seven people who wished me a Happy Birthday today, four followed it up with blessings for a good <em>sasroo</em>, i.e. marital home/in-laws’ home. All were women above 50, all educated, all married themselves and surrounded by several singletons of their age who appear fairly happy and not about to kill themselves from the ignominy of not being part of a pair. (Parsis have the lowest rate of marriage in India, with significantly higher levels of social acceptance for those unhitched than most other Indian communities.)</p>
<p><span id="more-932"></span></p>
<p>Some years earlier, this act of wishing a <em>sasroo</em> upon me would have irked me no end. Now it must be old age and its consequent mellowing effects because today I was only mildly annoyed and half-amused that educated, supposedly liberal women in an urbane setting still think of the seeming security a husband and his family can offer as their foremost wish for me.</p>
<p>Oftentimes, it isn’t a well thought-out greeting, just a bouquet of lines trotted out over generations, dating back to an era when a marital home indeed meant security and the blessing of a stable life. My mother mentions with a touch of sentimentality (and she isn’t even a sentimental sort of person) that the “Now next year, celebrate your birthday in your <em>sasroo</em>” wish was bestowed upon her year after year by her own mother, despite knowing full well that her daughter was going nowhere until she finished her accounting degree (which she did at age 28).</p>
<p>I know they only mean well, all these women, and I view them with a recently-found tolerance that has me quickly scanning my hair for any change in color. But I do wish they would realize that the best blessing they can possibly bestow on me is success and happiness in the face of life’s challenges and the ability to be my own safety net. And the freedom to choose my own path, even if it doesn’t lead to the much-exalted <em>sasroo</em>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Markers of marriage</title>
		<link>http://ultraviolet.in/2009/07/06/markers-of-marriage/</link>
		<comments>http://ultraviolet.in/2009/07/06/markers-of-marriage/#comments</comments>
		<pubDate>Sun, 05 Jul 2009 19:10:45 +0000</pubDate>
		<dc:creator>Meena Kandasamy</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Desipundit]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Marriage]]></category>
		<category><![CDATA[Women's Lives]]></category>
		<category><![CDATA[discrimination]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[social taboos]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[Tamil Nadu]]></category>
		<category><![CDATA[widowhood]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://ultraviolet.in/?p=891</guid>
		<description><![CDATA[ RECENTLY, I PARTICIPATED in the launch function of a documentary film Pottu about the hardships and social humiliation faced by widows and deserted women in Tamil Nadu. Produced by the Kalangarai Trust which works among the widows in the southern district of Nagappattinam (particularly in Vedaranyam, Sirkaali and Poompuhaar), the 50-minute documentary attempts to [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://i219.photobucket.com/albums/cc148/ultravioletfeminists/meena_profile1.jpg" alt="Meena Kandasamy" hspace="2" width="60" height="82" align="absbottom" /><strong> </strong><strong>RECENTLY, I PARTICIPATED </strong>in the launch function of a documentary film <em>Pottu </em>about the hardships and social humiliation faced by widows and deserted women in Tamil Nadu. Produced by the Kalangarai Trust which works among the widows in the southern district of Nagappattinam (particularly in Vedaranyam, Sirkaali and Poompuhaar), the 50-minute documentary attempts to describe the torture that widows are forced to undergo in the name of tradition. The documentary started off with a young girl&#8217;s story: the gaudy ceremony surrounding puberty, her early marriage (to prevent the chance of the family name getting “spoiled” if she were to be left “free”), the dowry that her parents are forced to pay, the hard work that she is forced to do in her husband&#8217;s home, his alcoholism and domestic violence, his death and finally, her enforced widowhood. Although Pottu seemed to make of every cinematic cliché, some issues highlighted by the documentary deserve to be taken up for debate.<span id="more-891"></span></p>
<p>Bangle-breaking ceremonies (where all the symbols of marriage: the red kumkum mark (<em>pottu</em>), the <em>thaali (mangalsutra) </em>are removed) are notoriously common in Tamil Nadu&#8217;s southern villages. In fact, these ceremonies are conducted before dawn, when even the gods are supposedly sleeping, because such a merciless sight is capable of disturbing even them.</p>
<p>Not only is a woman forced to undergo emotional agony because of her husband&#8217;s absence, but she is also forced to face social humiliation. The things that society puts forward as symbols of femininity and desirability are snatched away overnight. Widows are systematically kept out of social functions (celebration of menarche or marriage), they are stigmatized and heaped with abuse and they are denied all decision making at the family level. They are also denied civil rights&#8211;commonly-held beliefs discriminate widows by virtue of their being considered &#8220;inauspicious&#8221;. Tamil proverbs say that to see a widow early in the morning effectively ruins a day, and so on.</p>
<p>Yesterday, the women who were the driving force behind the documentary <em>Pottu, </em>got together and announced that soon they would be hosting the first international conference of widows, destitute and deserted women. They have two demands: laws to prosecute people who abuse widows in degrading terms and social, economic, legal rehabilitation for the widows.</p>
<p>There are several reasons why such a project has emerged from Tamil Nadu. According to a statistics by the Kalangarai Trust approximately 10% of the households in the state are headed by widows, and that 24% of the widows live alone. Majority of the widows are mothers of the head of the household. Their study also shows that the highest concentration of widows (8.06% of the general population) in Tamil Nadu arises from two categories of widows particular to the southern-coastal districts of the state: Tsunami widows and widows of men who have succumbed to HIV/AIDS. A large number of them work as daily wage labourers.</p>
<p>Tamil widows face a particular problem because of the manner in which their language subjugates them. The English word widow has an equivalent masculine form widower (which might carry fewer negative connotations may be, but at least a word exists). There&#8217;s no equivalent masculine form for the word <em>vidhavai </em>(widow) in Tamil. On the other hand, in popular practice, a just-widowed man is humorously referred to as the <em>pudhu maapillai</em> (new bridegroom)&#8211;perhaps enshrining the fact that he would soon be married to someone.</p>
<p>Widowhood is also becoming a problem that cuts across cultures. No longer are Hindu widows alone subjected to such torment. Even a religion like Islam, where there&#8217;s no bar on widow remarriage, is being influenced by local practices. At the documentary release function, a Muslim woman lamented how her own community was now following these meaningless practices which has historically plagued the Hindu religion.</p>
<p>The efforts of William Benetick and Raja Rammohun Roy put an end to the Sati system in 1829. The Widow Remarriage Act was passed in 1856. Another hundred years later, the Child Marriage Restraint Act came into place. Every reformer and every revolutionary on the Indian soil has voiced about the condition of widows: Phule opened a home for widows and abandoned children, Dr. Ambedkar traced the roots of the sati system in the necessity to maintain/preserve the endogamous caste structure, Periyar argued for widow remarriage. Even a middle-of-the-road traditionalist reformer like Gandhi condemned the practice of widowhood in no uncertain terms. Pandita Ramabai became an icon by speaking out against the heinous nature of imposed widowhood.</p>
<p>Today, as women fight against gender injustice and social indignity, they are forced to confront several challenges: how to oppose cultural facets that alienate widows, how to create alternative cultural symbols that don&#8217;t differentiate between women, how to develop a policy framework not only for widows but also for single women in India and especially how to fight against a hypocritical system where the oppressor is not someone from the outside, but one’s own blood, one’s own family? Perhaps this is one area where there is no dearth of Hindi/Tamil films that describe the plight, but there is a paucity of public debate and discussion.</p>
<p>(p.s.: Women members of this organization demanded (rightfully of course) that they should be allowed to wear bangles, wear flowers, and above all, wear the <em>pottu</em>. However, every &#8216;invited&#8217; speaker pointed out that all women should unite to throw away the markers of marriage and/or femininity such as the bangles/flowers/<em>pottu</em>/<em>thaali</em> and so on? All of us might agree that these are decisions which women should take as individuals, and not just as a category, but then, what&#8217;s your take on this?)</p>
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